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Monday, September 15, 2014

The Legacy of a Free Lunch

In September of 2012, I attended an IT summit in California.  It was a large event and I enjoyed painting the content of many of those who spoke about HIT (Health Information Technology.)  On the second day, a speaker began to jokingly to disparage hot lunch at elementary school.  The audience began to titter in agreement and the speaker concluded with a sarcastic rhetorical question, “Who would ever eat school lunch?”

I looked up from my painting and quietly and said, “I would.”  A couple hours later I was able to get on stage and explain the paintings I had created.  Then I asked how many of those in this room had been a free lunch child.  There was an uncomfortable shifting in the seats as very few people raised their hands.  I told them I was a free lunch child and I would never turn down the nourishment that sustained me nor make fun of such a needed service.

In policy circles, we talk a great deal about a digital divide within HIT, but we often ignore the economic divide.  I have attended many a meeting in the halls of power where the attendees are intelligent and hardworking, but they are not economically diverse. I am glad I can speak in these rooms about the power of the patient and the legacy of a free lunch.

I found out recently there is another free lunch student speaking out in DC who has dedicated her life to service.  She too grew up in poverty.  Her name is Karen DeSalvo, M.D., M.P.H., M.Sc. and she is the National Coordinator of Health Information Technology for the US Department ofHealth and Human Services.

She has joined The Walking Gallery and this is her jacket story “The Legacy of a Free Lunch.”


Karen had a challenging childhood.  Her parents were fromNew Orleans but had trouble finding work.  The family eventually relocated to Austin, Texas. At five years of age Karen’s father walked out on her Mother and his three daughters.  Karen’s young mother did not have a college degree and struggled to find work.  Karen and her sisters thrived because of safety net services that were available in Austin.  She ate free lunch and attended the local summer recreation programs for the poor. She also watched her mother struggle to work and maintain a family while suffering from depression.  No matter how bad it got Karen’s mother always managed to care for her children.

Karen decided early on she wanted to be a doctor.  She went to college and studied hard. She succeeded in her dreams.  She returned to New Orleans for medical school and stayed to practice.  She discovered health care was more than just the patient in front of you; access to care was so important.  When Hurricane Katrina Hit in 2005 she was on faculty at Tulane University and was practicing at a charity hospital. Karen was medical centric until Katrina dispersed the community and shut down all support.  

The anchors of care were gone.  


Karen DeSalvo, as Vice Dean of Community Affairs and Health Policy for Tulane Universitywas asked to help with the rebuilding process. New Orleans had a clean slate to rebuild the entire system. What if the new system looked very different?  What if access to care was in neighborhoods? What if Health It was embraced? That would be better than keeping track the now water-logged scraps of paper with scribbles.  Karen and her team took opportunity from tragedy and worked out in the communityThey must have free clinics first. These needed to be medical homes fully IT enabled.  Some of these clinics would be mobile and some would be brand new buildings, but all would be working together and created from scratch as part of the community.  

Karen began to delve deeper into the safety net of the entire city.  She started asking many questions. Where do people live, work and play. How do you navigate the healthcare system? How can you choose to schedule time off for a mammogram, when that means missing a chance to see your child in prison? Where is your playground? Three blocks away can be another neighborhood in New Orleans.The University gave Karen free reign to rebuild in NewOrleans with medical homes, community health workers and seamless hand off for mental health.

By 2010 Karen was exhausted, but glad she had done so much to help her beloved city.  Karen was part of the search committee to find a new Health Commissioner for the City of New Orleans.  When the woman they chose decided not take the position.  Karen realized she should step up to the plate. Karen took a leave form Tulane University and became Health Commissioner in 2011 and served till 2013.

In January 2014, Karen was chosen to be the new National Coordinator of Health Information Technology for the Department of Health and Human Services.  So much her life has been focused on helping patients and now she does so through policy, but she still finds time to practice once a month at the clinic. It helps her to stay centered.

I painted young Karen standing waist deep in the waters of New Orleans.  I painted her loving family at her side and her free lunch clasped firmly in front of her.  I painted her with hope for a better tomorrow etched upon her face.

I painted her mother with a worried expression and her back half turned.  In 2005 Karen’s mother was slipping in to into the late stages of early onset dementia. Karen had been looking forward to a day she could care for her mother as her mother had cared for her.  Karen’s mother was the kind of person who loved people deeply and without condition.  As her disease progressed her memory was like a whiteboard filled with notes that someone was randomly erasing.  Karen watched as the nursing aids in the group home were disrespected even though they knew about the patients as people.  It opened Karen’s eyes.

In 2005 Katrina struckKaren’s mother had to be evacuated to Texas to be near Karen’s two sisters.  Karen had to place her mother in a nursing home.  Nursing homes can be such sad bad places.  She lasted 8 months.

I painted the New Orleans that Karen loves upon her back, both the tragedy and the jazz.  I painted the Hubert H. Humphrey building that houses Health and Human Services.  I painted a blue moon that is also a Blue Button.

Karen lives in DC most of each month.  Her loving husband Jay and treasured pet dog Abita live in New Orleans.  She goes back and visits when she can.  When she is home she enjoys her time with her family and focuses on her loved ones entirely, but when she is in DC she focuses on the health of the nation.  

She thinks about what she can do to make our system better after watching the waters rise, after watching her mother die, after helping those who are lost within a broken system.  She is the legacy of a free lunch and if I were member of the status quo I would be running scared.



Karen DeSalvo has learned that in the darkest hour when things are irrevocably broken, you have a clean slate upon which to create a new and shining world.

Tuesday, July 22, 2014

The Walking Gallery Year 4: June 16, 2014- June 4, 2015

This is the fourth year of the Walking Gallery of Healthcare.  We now number 357 members walking around the world with patient story paintings on our backs.  There are 43 artists in the Gallery and all of them are listed at the bottom of this post. 


This "walking wall" is changing minds and opening hearts.  They are attending medical conferences where often there isn’t a patient speaker on the dais or in the audience.   They are providing a patient voice, and by doing so, are changing the conversation.

An artist or artists will interview medical professionals and lay individuals to form a patient centric narrative. The artist will then create representational imagery and paint that picture story upon the business jacket of the provider of the narrative account. The provider of the patient story aka “Walker” will wear the jacket to medical conferences and events in order to disseminate the patient story to a large group of policy minded attendees and to represent the individual patient voice in venues where they are underrepresented. Further, both artist and walker will support the spread of the story and image via social media.


As of June 2015 , 357 unique Walkers have joined the Gallery wearing 393 jackets.  The Gallery has representatives on five continents, but the majority of Walkers reside in the US. One artist creates the majority of the art, but new artists are frequently joining the movement.  The Gallery is promoted heavily on twitter, facebook and personal blogs.   Its widening appeal within the health conference community is creating a new space for patients at such events.

For more information about joining the movement please scroll to the bottom of this post.

Year Four:
393. "Walk to School" a jacket for Isaac Holliday

392.  "A time of showers." a jacket for Vicky Hinebaugh


391. "The Helmet" a jacket for John Hinebaugh



390. A jacket for Christopher Closson painted by Shannon Shine



389. "No Going Back to the Past" a jacket for Erina Moriarty





388. "Empathy" a jacket for Caleb Picard



387."Seeing the steps before you" and jacket for Michael Weiss



386. "Metamorphosis" a jacket for Lisa Cahill Rodriguez by artist Courtney Mazza




385. 'The Power of Scatter" a jacket for A.J. Montpetit





384. "The Grass is Always Greener on the Other Side." a jacket painted and worn by Shannon Shine



383. "HIT in us and among us" a jacket for Alice Loveys



382. "I got your 1 patient here." a jacket for Casey Quinlan



381. "Thank You" a jacket painted and worn by Tony Zieger



380. "My Medicine" a jacket for Carly Medosch



379.  "Wilson" a jacket for Gabriela Wilson



378. "All That is Precious" a jacket for Jason Wolf


377."Transplant Team" a jacket painted and worn by Tony Zieger



376 "Give Back" a jacket for James Hooten by artist Jenn Toby.




375."Helping Hand" a jacket for Lynn Rippy by artist Camala Walling




374 "Confronting" a jacket for Steve Huey by artist Jordan Lanham.



373. "Chocolate Pudding to Chocolate Eyes" a jacket for Kelly K by artist Josh Miller.


372. "More Than Pride" a jacket for Robert Tinker by artist Te'j Matthews


371. "Floating" a jacket for Amy Heymans


370. "A Pause for Station Identification" a jacket for Wendy Station

369. "Shattered" a jacket for Catherine Coste




368. "Origin Story" a jacket for Jonathan Bush 



367. "MO Dairy" a jacket for Amy Throndsen



366. "My Heart" a jacket for Joanna Brogdon



365."Community" a jacket for John Sharp



364. "Tick Tock,Tick Talk" a jacket for Fernando Martin-Sanchez



363. "Reconciliation" a jacket for Vanessa Carter





362. "Helen, The Fearless" a jacket for Helen Ying



361."The Cupboard Was Bare" a jacket for Shannah Koss



360. "Butterflies" a jacket for  Mélanie Péron




359. "Rolling the Dice" a jacket for Lorre Wisham


358."Silos" a jacket for Keith Boone



357."Antibiotic Apocalypse" a jacket for Kelly Grindrod





355."Watching Them Grow" a jacket for Megan Sargent Grocki



354. "Generations" a jacket for John Mattison



353. "With This Ring" a jacket for Cherise Shockley


352. "Saving Her" a jacket for Martin Johnson


351. "Praying with You" a jacket for Kenneth Wells


350. "Another Day Before Us" a jacket for Mike Finley


349."The Legacy of a Free Lunch" a jacket for Karen DeSalvo



348. "Missed" a jacket for Meryl Bloomrosen




347. "It's a Mystery" a jacket for Annette McKinnon


346.  "Understanding Empathy" a jacket for James Spicka



345. "This Pearl of Great Price" a jacket for Clarence "Reggie" Williams



344. "We Can Do It" a jacket for Amy Lynn Smith



343. "My Diabetes Secret" a jacket for Christopher Snider



342. "Threshold" a jacket painted and worn by Julia Anderson


341. "The Golden Kidney" a jacket painted by Tamela Mack



340. "The Outside In" a jacket painted by Zoe Carr and Thomas Richardson for Zoe Carr



339. "Release" a jacket for Lauree Ostrofsky


338.  "Rainbow Road" painted by Courtney Mazza and Worn by Abdur-Rahim Rahmaan


337. "On the Other Side of the Wall" a jacket painted and worn by Rachel Fields


336.  "Sorry For Your Loss" a jacket painted and worn by Hazel F.


335.  "Donnell 2" a jacket painted and worn by Donnell Bonaparte

334.  "Decisions" a jacket painted by Olivia Dias for Michael Dias



333. "War" a jacket worn and painted by Daquane



332.  "Red Phoenix"



331. "Rainbow Phoenix" a jacket worn and painted by Nikai

300.  "Choices" a jacket for Karen Linder-Staubs


329. "The Foundation of My Life" a jacket for Kathy Nieder


The Artists of The Walking Gallery:

1. Regina Holliday 338 jackets
2. Isaac Holliday 6 yrs, 1 jacket
3. Becca Price, 1 jacket
4. Miriam Cutelis, 1 jacket
5. Ess Lipczenko, 1 jacket
6. Ben Merrion 1 jacket
7. Courtney Mazza 8 jackets
8. Michele Banks 1 jacket
9. Megan Mitchell 15 yrs 1 jacket
10. Robert J. Filley 3 jackets
11. Anita Samarth 1 jacket
12. Mary Welch Higgins 2 jackets
13. Richard Sachs 2 jackets
14. Jonah Daniel 5yrs  1 jacket
15. Fred Trotter 1 jacket
16. Leela 7yrs 1 jacket
17. Gayle Schrier Smith 1 jacket
18. Moira Simms 1 jacket
19. Joan Holliday 1 jacket
20. Adalyn 1 jacket
21. Chris Chan 1 jacket
22. Amy O'Hanlon 1 jacket
23. Vera Rulon 1 jacket
24. Jessica Nicula 2 jackets
25. Nikai 1 jacket
26. Deonm, 10years, 1 jacket
27. Daquane, 1 jacket
28. Olivia Dias, 1 jacket
29. Donnell Bonaparte, 1 jacket
30. Hazel F., 1 jacket
31. Rachel Fields, 1 jacket
32. Zoe Carr, 1 jacket
33. Thomas Richardson, 1 jacket
34. Tamela Mack, 1 jacket
35. Julia Anderson, 1 jacket
36. DJ Hamilton, 1 jacket
37. Jenn Toby. 1 jacket
38. Camala Walling, 1 jacket
39. Jordan Lanham, 1 jacket
40. Josh Miller, 1 jacket
41.  Te'j Matthews, 1 jacket
42.  Tony Zieger 239
43   Shannon Shine, 2

If you are interested in joining the Walking Gallery here is the info:

to understand the origin of the idea.

http://reginaholliday.blogspot.com/2011/06/walkers-oath.html to understand the sacred nature of this path

To view the jackets in year one 1-162

To view the jackets of year two 163-251

To view jackets of year three 252-328

Logistics of the Walking Gallery:  What you need to do to be a member: 

1.  Promise that you will wear this jacket to conferences and public events at least 2-3 times per year in order to spread awareness of the power of the patient voice.

2.  Send a business jacket. Please do not send jackets made of seersucker, corduroy, knit, denim, leather or stretch fabric, as they are hard to paint on.  Also this is a business jacket on purpose, we are painting on the “uniform” of the conference attendee.  Fabrics that work well are poly-blends, linen, cotton and wool. Also you might want to by a jacket a size larger than you usually do as the painting will stiffen the back and make it harder to close the buttons.  

3.  Tell me your life/patient story, your patient-centered concept that is the center of why you work in health and medicine. Please include personal details of your life so I can more fully realize your image.  You can tell me which story elements you do not wish to publically disclose in text, but it does help to know the underlying experiences and conditions which are the source of your mission. Please send via email with some pictures if possible of yourself or the people in your story.  If you don't want to provide a picture, that’s okay, I have a vivid imagination.  Also please print it out and send with jacket so I can keep track of jackets and their stories.

4.  Artists can participate by painting their own jacket or another's or both.

5.  This movement is spread and organized through social media.  You will need to use twitter, Facebook, LinkedIn etc. to support the mission.  I am using Twitter hash tag to link us all together so please tweet about your jacket appearances under #TheWalkingGallery

6.  You are free to use the image in your own advocacy mission; I also retain the right to reproduce the image for advocacy purposes and write about your mission in areas you are comfortable with disclosing. 

7.  Donations are welcome to offset the cost of paint and shipping, but are not required and you cannot buy a jacket painting.  You are joining a movement and this is a sacred oath to walk the walk and spread the word.

(If you like the health activism work I do and want to support it in a sustaining way you can donate to my @gittip account: https://www.gittip.com/ReginaHolliday/  but it is in no way required. )

Welcome to the Gallery.

Any questions?